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The Farewell

August 21st, 2019 | by Noah Dimitrie

Lulu Wang’s The Farewell, based on her real-life grandmother, brilliantly cares much more about creating a relatable, three-dimensional world than

April 25th, 2019 | by Noah Dimitrie

Native Son might not earn its running time, but proves rewarding in the end. Noah looks at the film that

October 21st, 2015 | by Craig Silliphant

While we’re admitting we’re not really in a smart position to speak to the state of African American film, Dope

March 5th, 2014 | by Craig Silliphant

“Art is not a mirror to reflect the world, but a hammer with which to shape it,” comes a quote

October 22nd, 2013 | by Craig Silliphant

I first read Peter Biskind’s Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film, a look at