Soul
December 28th, 2020 | by Craig Silliphant
If you need a palate cleanser after the wanton nightmare that was Wonder Woman 1984, Pixar’s got a movie with
December 28th, 2020 | by Craig Silliphant
If you need a palate cleanser after the wanton nightmare that was Wonder Woman 1984, Pixar’s got a movie with
December 28th, 2020 | by Noah Dimitrie
The Second Season of The Mandalorian has proven itself to be flashier than the first. But its storytelling has devolved
December 27th, 2020 | by Craig Silliphant
Wonder Woman 1984 is the sequel to a movie that showed the Hollywood dummies that people will pay to see
December 23rd, 2020 | by Noah Dimitrie
Danish auteur Thomas Vinterberg returns with a soused up dramedy about four teachers who commit to a rather intoxicating social
December 16th, 2020 | by Robert Barry Francos
DM Barr is a writer with a few books and a number of awards under her belt. Her book Saving
December 10th, 2020 | by Kim Kurtenbach
It’s okay if you decorated a tree in mid-November, and it’s okay that I’m starting to watch one Christmas movie
December 7th, 2020 | by Blake Morrow
The Call is a South Korean time travel thriller that’s full of energy and manages to innovate a well-worn subgenre.
December 7th, 2020 | by Craig Silliphant
David Fincher’s Mank will be a brilliant look at the writing of Citizen Kane for some, but an unholy bore
December 5th, 2020 | by Craig Silliphant
Aubrey Plaza shines in one of her best performances in Black Bear, a somewhat experimental film that’s compelling even if
December 4th, 2020 | by Kim Kurtenbach
The spaghetti western has all but disappeared from modern movies – unless you know where to look. It’s been so hard to