Category: Uncategorized
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The Feedback Society’s Best and Worst Movies of 2020
It’s that time of year again — the best and worst movies of 2020. Some of our favourite film critics and movie lovers weigh in! Every January we grab some of the film writers and cinephiles in our orbit to look at the best and worst movies of the year we just finished. It’s always…
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Ron’s Album Picks – The Meows
Ron polishes off another underrated gem from his collection! This time he’s spinning the inimitable Spanish rock band The Meows. Who could resist such a name? Although I’ve always been drawn to a wide range of non-mainstream music (everything except rap and opera), every now and then I find it refreshing to listen to some no-frills, heavy-handed…
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O Melhor Cassino da Madeira: Uma Experiência Inesquecíve
Introdução Bem-vindo ao nosso artigo sobre o melhor cassino da Madeira, onde oferecemos uma visão detalhada sobre esse destino de entretenimento de primeira classe. Aqui, você encontrará informações valiosas sobre as instalações, jogos emocionantes, serviços excepcionais e muito mais. Se você está procurando uma experiência inesquecível em um ambiente luxuoso, o casino da Madeira horário…
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Fifty Shades Freed
What? Fifty Shades is still a thing? Ugh. Fine. Someone owes poor Dan a beer for taking this movie review bullet for us. Thanks Dan. The hubbub surrounding the Fifty Shades books hasn’t completely translated to audience representation at the box office. The first film broke out with a major opening weekend but faded fast.…
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Local Music Feedback – Raeburn
In this week’s installment of Local Music Feedback, we talk to bedroom producer Raeburn, whose long gestating album, Wessi Pessi, was well worth the wait. Raeburn is the one word moniker and musical identity of Maxwell Raeburn Warner, who you might also know as the drummer for Saskatoon act Pandas in Japan. But Raeburn is…
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Gwar + Austra: Navigating a Night of Eclectic Live Music
“I want your blood I want it in my hair. I want your blood I want it in my hair!” – Austra (Shoot the Water) As much as I love live music, I’m the perpetual outsider. Which works well being a music critic, I suppose, because I can assess a performance with more detachment and…