Only Lovers Left Alive
June 9th, 2014 | by Noah Dimitrie
Jim Jarmusch has wandered into Anne Rice territory, exploring love and everlasting life, seeing history’s art, and entering an era
June 9th, 2014 | by Noah Dimitrie
Jim Jarmusch has wandered into Anne Rice territory, exploring love and everlasting life, seeing history’s art, and entering an era
June 6th, 2014 | by Rob Rubsam
The Feedback Society’s Rob Rubsam goes to Carnegie Hall. Not with practice, as the joke goes, but to be moved
June 3rd, 2014 | by Craig Silliphant
Albums we’ve been listening to this week at The Feedback Society. Jonestown Massacre, the return of ATR, Shooting Guns, Trash
June 1st, 2014 | by Craig Silliphant
Under the Skin is cold, minimal sci-fi filmmaking with esoteric visual force, and may or may not be an exploration
May 28th, 2014 | by Dave Scaddan
Writer and director Jon. S. Baird brings Irvine Welsh’s crooked cop story Filth to the big screen with James McAvoy
May 26th, 2014 | by Craig Silliphant
If you can suspend your disbelief, X-Men: Days of Future Past is summer comic book movie that shows blockbusters can
May 24th, 2014 | by Craig Silliphant
Mistaken for Strangers begins as a tour diary of The National, but jumps to sweet, strange, funny ruminations on sibling
May 16th, 2014 | by Craig Silliphant
In Jeremy Saulneir’s Kickstarter funded revenge thriller Blue Ruin, the director explores messy revenge and gun culture in a Coen
May 10th, 2014 | by Heath McCoy
Britpop and Grunge each step into the ring, with Heath McCoy as referee, judge, jury, and executioner. Winner takes it
May 9th, 2014 | by Craig Silliphant
Albums we’ve been listening to this week at The Feedback Society. New records from old favourites like Fennesz, The Afghan