The Feedback Society’s Week in Music
December 20th, 2014 | by Craig Silliphant
Albums we’ve been discussing over drinks this week at The Feedback Society, from Buddy Rich and D’Angelo to Angel Olsen
December 20th, 2014 | by Craig Silliphant
Albums we’ve been discussing over drinks this week at The Feedback Society, from Buddy Rich and D’Angelo to Angel Olsen
December 18th, 2014 | by Craig Silliphant
Tommy Lee Jones is quietly directing westerns, bringing the classic genre into the 21st century; The Homesman explores mental illness
December 17th, 2014 | by Dan Nicholls
Is Wild another lame tale of first world problems wandering into the forest or cunning Oscar bait with special attention
December 17th, 2014 | by Dan Nicholls
A lot people have problems with Kevin Smith and his films these days, including his new one Tusk, but our
December 17th, 2014 | by Dan Nicholls
The director of Capote and Moneyball is back with another excellent entry, Foxcatcher, based on a true story about Olympic
December 10th, 2014 | by Craig Silliphant
In the age of coddling, Whiplash asks, how far into physical and mental abuse should a teacher push a student
December 9th, 2014 | by Daniel Dalman
For some bizarre and inexplicable reason, Daniel watches Grumpy Cat’s Worst Christmas Ever, which we didn’t even know was a
December 9th, 2014 | by Robert Barry Francos
Robert Barry Francos digs deep once more to discover a talent in blues and funk music, New Jersey’s Laura Cheadle
December 5th, 2014 | by Craig Silliphant
The Dark Stuff is a book that self-respecting music geeks own a copy of. Apathy for the Devil is the
December 5th, 2014 | by Robert Barry Francos
Writer Robert Barry Francos looks at the latest album from an old favourite of his: Where the Pavement Grows, from