TIFF ’18: Gaspar Noe’s Climax
September 26th, 2018 | by Noah Dimitrie
TIFF 2018: Gaspar Noe’s new film, Climax, leaves the crowd stunned. It delivers on the hype; it’s one of the
September 26th, 2018 | by Noah Dimitrie
TIFF 2018: Gaspar Noe’s new film, Climax, leaves the crowd stunned. It delivers on the hype; it’s one of the
September 26th, 2018 | by Craig Silliphant
The home video version of Solo: A Star Wars Story was released this week. Oddly enough, it’s one of the
September 24th, 2018 | by The Editor
We think about reboots by looking at a few recent films that are bringing back an older property. Some, destined
September 21st, 2018 | by Dan Nicholls
A Simple Favor hits a lot of different notes well. It may not be packed with wholly original ideas, but
September 18th, 2018 | by Noah Dimitrie
It may not be one of the great masterpieces of 2018, but The Miseducation of Cameron Post is well made
September 18th, 2018 | by The Editor
Feedbacker Mitch Oliver interviews Alex Bent (Alex Bent and the Emptiness) about his music and the Sept. 21st, 2018 gig
September 17th, 2018 | by Dan Nicholls
Shane Black’s new take on Predator is a dull, DOA train wreck. It seems that no one can really make
September 12th, 2018 | by The Editor
Don’t let this one sneak by you — alternative music legends They Might Be Giants are set for their most expansive Canadian
September 11th, 2018 | by Noah Dimitrie
It’s been 10 years since Steve McQueen’s brutal film, Hunger, a film that looks at pain, politics, and the moral
September 10th, 2018 | by Craig Silliphant
We talk to Mike Fisher, co-founder of SaskExpo, with a candid look at what it feels like for the festival