The Feedback Society’s Best and Worst Movies of 2020
January 12th, 2021 | by Craig Silliphant
It’s that time of year again — the best and worst movies of 2020. Some of our favourite film critics
January 12th, 2021 | by Craig Silliphant
It’s that time of year again — the best and worst movies of 2020. Some of our favourite film critics
January 7th, 2021 | by Dave Scaddan
This year’s Top 20 albums has many names you’ve seen here, but it also speaks of the changes and weird
January 3rd, 2021 | by Richard Gary
We Still Say Grace is a film that dramatized the way in which religion can create megalomaniacs that take things
December 28th, 2020 | by Craig Silliphant
If you need a palate cleanser after the wanton nightmare that was Wonder Woman 1984, Pixar’s got a movie with
December 28th, 2020 | by Noah Dimitrie
The Second Season of The Mandalorian has proven itself to be flashier than the first. But its storytelling has devolved
December 27th, 2020 | by Craig Silliphant
Wonder Woman 1984 is the sequel to a movie that showed the Hollywood dummies that people will pay to see
December 23rd, 2020 | by Noah Dimitrie
Danish auteur Thomas Vinterberg returns with a soused up dramedy about four teachers who commit to a rather intoxicating social
December 16th, 2020 | by Robert Barry Francos
DM Barr is a writer with a few books and a number of awards under her belt. Her book Saving
December 10th, 2020 | by Kim Kurtenbach
It’s okay if you decorated a tree in mid-November, and it’s okay that I’m starting to watch one Christmas movie
December 7th, 2020 | by Blake Morrow
The Call is a South Korean time travel thriller that’s full of energy and manages to innovate a well-worn subgenre.